Lately it feels like every time we click on a news outlet, another pillar of the future collapses like a badly kerned headline. The 21st century was supposed to be chrome, glass, and polite geometric… Read More »Type Tuesday: Dickens is a Serif for the Age of Uncertainty
Stacey Panousopoulos is a New York City-based design community organizer and Executive Director of AIGA NY. Pronouns: she/her What is the thing you like doing most in the world? Gathering and feeding people is innate… Read More »What Matters to Stacey Panousopoulos
Go back in time a few weeks to when Steven Brower spoke about his book Roy Kuhlman: The Reluctant Modernist for the Print Book Club. One aspect of the project that we did not discuss… Read More »The Daily Heller: This Typeface Looks Familiar Because It Is
It’s a scary time to be in the creative field, filled with vast and every-growing unknowns related to AI. We’re already seeing the impact of AI on art, design, and culture at large, but there’s… Read More »Decimal Gives The Creators Coalition on Artificial Intelligence an Optimistic Brand Identity
Typography has long been positioned as a vessel for language, a neutral system for delivering words. But that framing has always been incomplete. Letterforms don’t only carry meaning; they shape it. They encode geography, power,… Read More »How Letterforms Carry Culture
Michael DeForge makes comics that capture the messiness, heartache and absurdity of the world. His next book, All the Cameras in My Room (Drawn & Quarterly, April 21), is an eclectic mix of stories, each… Read More »The Daily Heller: Making Comics is a Lot Like Acting