When Intuit launched in the 1980s, the golden era of tech in no other place than Palo Alto, its beginnings were pretty straightforward. Founder Scott Cook was inspired by watching his wife manage their household… Read More »Intuit Rethinks Its Brand Architecture with JKR
Ever since I was a little boy, I was motivated to be a bigger boy with large ambitions and responsibilities. Last week I shared two of them—the launch of my first magazine, and founding the… Read More »The Daily Heller: Letters to the Aspiring Editor
The reaction to McLaren’s new identity has been loud and largely negative. Having spent two years as its head of brand, I don’t think the objections are really about a logo. In 1970 the Rolling… Read More »I helped shape McLaren’s brand. Here’s what worries me about the refresh
The stop-motion studio behind Coraline, The Boxtrolls and Kubo and the Two Strings is bringing its puppets and sets to London. Its art director explains how and why they were made. Remember when the words… Read More »Matthew Maldonado on why LAIKA made everything by hand for new film Wildwood
The animation director behind this summer’s viral We Are Better Than This film says AI has nothing to offer his work. And he’s built a remote studio to prove his point. If anyone can make… Read More »Joseph Clark on why he’s keeping AI out of Oh Studio, and the protest film that went viral saying so
The Floating City celebrates the unique creative world of glass – be it forged, blown, molten, opaque, clear, crystal, heavy or light, worn, hung, mounted, displayed, shimmering, illuminated, or merely seen. There is never less… Read More »Heart of Glass: why Venice is once more the centre of the glassmaking world