How do you make post-production visible without breaking the illusion? When London studio Microdot needed a brand identity, Standard Projects found cinema’s own language hiding in plain sight. Post-production occupies a peculiar position in the… Read More »The clever way Standard Projects solved the paradox of branding invisible work
Experimental Typeset, Trash, and No Star: Creating Type Culture in the Flat Era Typography isn’t rock ‘n’ roll. Unlike Sonic Youth’s 1994 “art core” album, you’re not cutting it live in the studio. You labor… Read More »PRINT Type Report 2026
With 2025 officially in our rear view mirrors, it’s time to look ahead to all of the wonders that 2026 surely has in store. Of course, here at PRINT, we’re most excited about our 2026… Read More »Revisiting Past PRINT Awards Winner, One Design
Debbie Millman’s ongoing project “What Matters,” an effort to understand the interior life of artists, designers, and creative thinkers, is now in its third year. Each respondent is invited to answer ten identical questions and… Read More »What Matters to Jamie Falkowski
Steve Brodner is one of the most prolific and regularly published graphic storytellers and commentators today. He has long been at the nexus of a tradition of print parody—and to communicate his messages loud and… Read More »The Daily Heller: Steve Brodner Doesn’t Know the Meaning of Complacency
When five artists used AI tools on a NYC subway project, they found a pragmatic middle ground; not conversion, only curiosity. For four weeks before Christmas, New York’s subway system became an unlikely laboratory for… Read More »Does Google’s gallery on the New York subway represent a ‘third way’ for AI sceptics?