What does a stutter look like? How would a stammer be represented as a typeface? How can graphic design be used to portray the beauty of stuttering and convey the pride of the stuttering community?… Read More »Conor Foran Spreads Stammering Pride through “Dysfluent” Magazine
Like bringing a forklift into the weight room. One good thing about the current humans-vs-machines brouhaha is that a lot of very smart people are throwing very smart words at it. Just one of many… Read More »Meanwhile: No. 213
As of late, we’ve noticed more type design projects that elevate curiosity about what it’s like to live and read with low vision. Unlike the thinking and work arising from the ethos of universal design,… Read More »Pablo Navarlaz’s Design Thesis is the Latest Research into Typography for Low Vision
Before we launch the new season of The PRINT Awards, we wanted to take another look at some of our favorite winning entries from this year. In the coming weeks, we’ll highlight stellar creative work… Read More »Felipe Goes’ Thoughtful & Complex Book Design for “Alucinação”
Debbie Millman has an ongoing project at PRINT titled “What Matters.” This is an effort to understand the interior life of artists, designers, and creative thinkers. This facet of the project is a request of… Read More »What Matters to Jonathan McGlothin
Milton Glaser’s I ♥ New York is one of the most ubiquitous and copied visual signs on the planet … and also thus one of the most cliche. Transforming the simple meaning of such familiar… Read More »The Daily Heller: The Missing ♥ of the Matter