Thibault Barillon of Robocobra Quartet explain why he grew petri dishes of fungus to illustrate their 100-track release. When I was a student, I shared a room with a lovely bloke, but he did have… Read More »Why a Belfast band used 100 dishes of mould to make their album cover
Templo took a highly original approach to branding a new cultural space for the deaf community, taking inspiration from the community itself. Glance at a typical logo and one question typically comes to a designer’s… Read More »Asking which typeface DeafCity Hub used for its logo is entirely the wrong question
Summer may be over, but we’re not quite ready to pack away the beach blankets, sunscreen, and memories of long, hot afternoons, especially since those long, hot afternoons don’t seem to be going anywhere! Luckily,… Read More »Beach Blankets, Bell-Bottoms & Bold Type
Johanna Augustin, CEO of Pond Design., based in Stockholm, works with the likes of Absolut, Jameson, Oddly Good and Korshags. What is the thing you like doing most in the world? Spending time with my daughters… Read More »What Matters to Johanna Augustin
When I read this subhead in an article on The Guardian—”A historian charts the emergence of a democracy-crushing dystopia that is—in some ways—already with us”—I thought that another doom-scrolling academic was just doing their best… Read More »The Daily Heller: About Civilization as We Knew It
Affinity and Cavalry stay free, a long-requested Blend Tool finally arrives (thank God), and Canva makes its biggest move yet to support the professional designer. There’s no doubt Canva did things the right way round,… Read More »Canva launches ProSuite bringing Affinity, Cavalry, Flourish and Leonardo together with more than new 100 features