“The second-years are starting to redesign our bathrooms today!” Adriana Valdez Young welcomed me into a sunbathed design studio at the School of Visual Arts (SVA) in Chelsea. With a two-toned bob, scuffed white sneakers,… Read More »The Next Generation of Design is Inclusive
Hanging stones and drifting boxes. Hello, hello. So the big news: I managed to escape to London for a day. Have to go down and refill the tanks every now and then. Thanks to some… Read More »Meanwhile: No. 200
Group Session sees a puppet called Geoff deal with the all-too-familiar woes of being a creative in a wry and catchy way. Every year, the best and brightest in the creative industry descend on Barcelona… Read More »Studio Mals’ opening film for OFFF Festival 2024 is a humourous look at creative angst
Push might draw from a century of sans-serif type design, but it stretches out with a modern perspective. Its simple, slim, open forms evoke American Gothic typefaces and provide the perfect foundation for Push’s charming… Read More »This Typeface Pushes Against All the Right Boundaries
Debbie Millman has an ongoing project at PRINT titled “What Matters.” This is an effort to understand the interior life of artists, designers, and creative thinkers. This facet of the project is a request of… Read More »What Matters to Richard Brand Taylor
Latin America is known for much antiquity and contemporary art and artisans. However, as the history of graphic design study expands, it is becoming known for its own avant gardes. Many of these owe debts… Read More »The Daily Heller: Modernity South of the Border