Suncoast by Tipotype Valentine’s Day is done and dusted, the month is flying by, and the type world has been quietly busy. Here’s what caught my eye in February. We’re well past the midpoint of… Read More »The best new typefaces for February 2026
Graphic artist Anthony Burrill discusses building the War Child Pavilion at Glastonbury Festival, the importance of creative freedom, and making work that actually says something. There’s a question that quietly haunts every artist who’s been… Read More »How Anthony Burrill turned four giant letters into Glastonbury’s most hopeful landmark
Handlettering, illustration, graphic novels, invitations, logos, and type design all share a foundation in expressive communication through form and typography. Each discipline uses composition, hierarchy, line quality, and attention to detail to convey tone, personality,… Read More »The Art of the Mark: PRINT Awards Categories That Leave an Impression
Debbie Millman’s ongoing project “What Matters,” an effort to understand the interior life of artists, designers, and creative thinkers, is now in its third year. Each respondent is invited to answer ten identical questions and… Read More »What Matters to Rose Albanese
Reading is a quiet collaboration between reader and page—a sustained immersion where typography either supports the experience or subtly fractures it. It’s surprising how quickly a typeface can tip that balance: a too-sharp italic, a… Read More »Where Type Shapes the Reading Experience: Ensaio from DSType Foundry
I was forwarded a New York Times article with the following headline and deck: Homeland Security Hires Labor Dept. Aide Whose Posts Raised AlarmsA young aide behind social posts that echoed white supremacist messaging will… Read More »The Daily Heller: Innocent Pastiche or Deliberate Signaling?