It’s time to get weird. Image licensed via Adobe Stock Senior designer at Mother Design, Bentzion Goldman, feels identity design has become safe, sanitised and downright boring in the last 12 months. Let’s flip that… Read More »How being weird can save branding in 2026
Do something creative outside your field. Image licensed via Adobe Stock Your brain needs gentle coaxing, not a creative boot camp. Here are 10 ways to ease yourself back into making things. Everyone hates coming… Read More »10 low-effort ways to get your creative brain working again
How do you make post-production visible without breaking the illusion? When London studio Microdot needed a brand identity, Standard Projects found cinema’s own language hiding in plain sight. Post-production occupies a peculiar position in the… Read More »The clever way Standard Projects solved the paradox of branding invisible work
Experimental Typeset, Trash, and No Star: Creating Type Culture in the Flat Era Typography isn’t rock ‘n’ roll. Unlike Sonic Youth’s 1994 “art core” album, you’re not cutting it live in the studio. You labor… Read More »PRINT Type Report 2026
With 2025 officially in our rear view mirrors, it’s time to look ahead to all of the wonders that 2026 surely has in store. Of course, here at PRINT, we’re most excited about our 2026… Read More »Revisiting Past PRINT Awards Winner, One Design
Debbie Millman’s ongoing project “What Matters,” an effort to understand the interior life of artists, designers, and creative thinkers, is now in its third year. Each respondent is invited to answer ten identical questions and… Read More »What Matters to Jamie Falkowski